Age: 85
male
Sir Patrick Stewart (born July 13, 1940) is an British film, television and stage actor. He has had a distinguished career in theatre and television for around half a century. He is most widely known for his television and film roles, as Captain Jean-Luc Picard in Star Trek: The Next Generation and as Professor Charles Xavier in the X-Men films. Stewart was born in Mirfield near Dewsbury in the West Riding of Yorkshire, England, the son of Gladys, a weaver and textile worker, and Alfred Stewart, a Regimental Sergeant Major in the British Army who served with the King's Own Yorkshire Light Infantry and previously worked as a general labourer and as a postman. Stewart and his first wife, Sheila Falconer, have two children: Daniel Freedom and Sophie Alexandra. Stewart and Falconer divorced in 1990. In 1997, he became engaged to Wendy Neuss, one of the producers of Star Trek: The Next Generation, and they married on 25 August 2000, divorcing three years later. Four months prior to his divorce from Neuss, Stewart played opposite actress Lisa Dillon in a production of The Master Builder. The two dated for four years, but are no longer together. He is now seeing Sunny Ozell; at 31, she is younger than his daughter. "I just don't meet women of my age," he explains. Stewart has been a prolific actor in performances by the Royal Shakespeare Company, appearing in over 60 productions.
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants—Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language. Though The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations—from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.
