Age: 77
male
David Russell Strathairn (born January 26, 1949) is an American actor, best known for his portrayal of journalist Edward R. Murrow in the feature film Good Night, and Good Luck (2005), for which he was nominated for an Academy Award. He also starred in L.A. Confidential (1997), Godzilla (2014), and the Bourne franchise (2007–2012). Strathairn appeared in supporting roles in many notable films such as A League of Their Own (1992), Sneakers (1992), The Firm (1993), The River Wild (1995), Lincoln (2012), Nomadland (2020), and Nightmare Alley (2021). He is a frequent collaborator with director John Sayles, who is a fellow graduate of Williams College. On television, Strathairn is known for his recurring roles in The Sopranos (2004), Alphas (2011–2012), The Blacklist (2015–2016), Billions (2017–2019), and The Expanse (2018–2019). He received a Primetime Emmy Award win and a Golden Globe Award nomination for his performance in the HBO television film Temple Grandin (2010).
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants—Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language. Though The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations—from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.
