Age: 70
male
Andrés Arturo García Menéndez (born April 12, 1956) is an American actor, director, producer, and musician. He first rose to prominence acting in Brian De Palma's The Untouchables (1987) alongside Kevin Costner, Sean Connery, and Robert De Niro. He continued to act in films such as Stand and Deliver (1988), and Internal Affairs (1990). He then co-starred in Francis Ford Coppola's The Godfather Part III (1990) as Vincent Mancini, for which he was nominated for the Academy Award for Best Supporting Actor. He continued to act in Hollywood films such as Stephen Frears' Hero (1992), the romantic drama When a Man Loves a Woman (1994), and the action thriller Desperate Measures (1998). In 2000, he produced and acted in the HBO television film, For Love or Country: The Arturo Sandoval Story (2000), where he received a Primetime Emmy Award and a Golden Globe Award nominations. He also starred in Steven Soderbergh's Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). In 2005, García directed and starred in the film The Lost City alongside Dustin Hoffman and Bill Murray. He also starred in New York, I Love You (2008), the dramedy City Island (2009), the romantic comedy At Middleton (2013), and the crime thriller Kill the Messenger (2014). He has had supporting roles in Mamma Mia! Here We Go Again, Book Club, The Mule, the HBO television movie My Dinner with Hervé (all 2018), and the title role in the Father of the Bride remake (2022). In 2005, he won both a Grammy and a Latin Grammy Award for producing Cuban musician Cachao's record ¡Ahora Sí!. Description above from the Wikipedia article Andy Garcia, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants—Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language. Though The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations—from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.
