Age: 37
male
Kristopher Bowers (born April 5, 1989) is an American composer, pianist, and documentary director. He has composed scores for films, including Green Book, King Richard, The Color Purple, The Wild Robot and television series, including Bridgerton, Mrs. America, Dear White People, and When They See Us. Bowers is the recipient of the Daytime Emmy Award for Outstanding Music Direction and Composition for Amazon Prime Video's adaptation of The Snowy Day. He has garnered multiple nominations at the Primetime Creative Arts Emmy Awards, Grammy Awards, and Critics' Choice Awards. Bowers co-directed, with Ben Proudfoot, the short documentaries A Concerto Is a Conversation (2021) and The Last Repair Shop (2023), winning the Academy Award for Best Documentary Short Film. Bowers has recorded, performed and collaborated with José James, Jay-Z, Alicia Keys, and Kanye West throughout his career. He has also collaborated with filmmakers Blitz Bazawule, Reinaldo Marcus Green, Malcolm D. Lee, Chris Sanders, and Justin Simien. Description above from the Wikipedia article Kris Bowers, licensed under CC-BY-SA, full list of contributors on Wikipedia.
When a famed socialite daughter of a wealthy family is abducted, her family and the media are scrambling to locate her. While in captivity, she realizes that many other girls are missing as the same time, but the media and public never called for their rescue- and she has to rescue them and herself while seeking justice for the other victims and finding the dark truth. This film is a satire of rescue-the-girl action thrillers such as Taken, Man on Fire, The Call, or any action thriller with Liam Neeson or Nicolas Cage. Much like in real-life high-profile abduction cases, these movies often fall with the trope of missing white woman syndrome- the vast majority of these movies have victims that are white, blonde, wealthy, and innocent- while victims who are people of color and/or poor are often left in the shadows. This film will instead be a psychological neo-noir thriller focusing on the victim's point of view rather than that of the rescuer, in addition to being filmed in black-and-white a la Sin City.
