
Age: 68
male
Hans Florian Zimmer (born 12 September 1957) is a German film score composer and music producer. He has won two Oscars, four Grammys, and has been nominated for three Emmys and a Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph in 2007. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. He has won two Academy Awards for Best Original Score for The Lion King (1994) and for Dune (2021). His works include Gladiator, The Last Samurai, the Pirates of the Caribbean series, The Dark Knight trilogy, Inception, Man of Steel, Interstellar, Dunkirk, No Time to Die, and the Dune series. Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks Pictures and DreamWorks Animation studios and works with other composers through the company that he founded, Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California, has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly. Zimmer has collaborated on multiple projects with directors including Christopher Nolan, Ridley Scott, Ron Howard, Gore Verbinski, Michael Bay, Guy Ritchie, Denis Villeneuve, and Tony Scott. Description above from the Wikipedia article Hans Zimmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

When a famed socialite daughter of a wealthy family is abducted, her family and the media are scrambling to locate her. While in captivity, she realizes that many other girls are missing as the same time, but the media and public never called for their rescue- and she has to rescue them and herself while seeking justice for the other victims and finding the dark truth. This film is a satire of rescue-the-girl action thrillers such as Taken, Man on Fire, The Call, or any action thriller with Liam Neeson or Nicolas Cage. Much like in real-life high-profile abduction cases, these movies often fall with the trope of missing white woman syndrome- the vast majority of these movies have victims that are white, blonde, wealthy, and innocent- while victims who are people of color and/or poor are often left in the shadows. This film will instead be a psychological neo-noir thriller focusing on the victim's point of view rather than that of the rescuer, in addition to being filmed in black-and-white a la Sin City.



