Age: 48
female
Sandra Hüller (born 30 April 1978) is a German actress. She has appeared in German, Austrian, British, French, and American films. She has received various accolades, including two European Film Awards, a César Award and three German Film Awards, and nominations for an Academy Award and two BAFTA Awards. Hüller has played Anneliese Michel in Hans-Christian Schmid's 2006 drama Requiem, for which she won the Silver Bear for Best Actress, and a troubled daughter in Maren Ade's 2016 comedy Toni Erdmann, for which she won her first European Film Award for Best Actress. She portrayed Irma Sztáray in Frauke Finsterwalder's 2023 historical black comedy Sisi & I. International recognition came in 2023 for her starring roles in Justine Triet's legal drama Anatomy of a Fall and Jonathan Glazer's Holocaust drama The Zone of Interest. Her performances in the former won her another European Film Award and a César Award, in addition to a nomination for the Academy Award for Best Actress. Description above from the Wikipedia article Sandra Hüller, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
