Age: 63
female
Alicia Christian 'Jodie' Foster (born November 19, 1962) is an American actress and filmmaker. She is the recipient of numerous accolades, including two Academy Awards, three BAFTA Awards, three Golden Globe Awards, and a Screen Actors Guild Award. For her work as a producer and director, she has been nominated for a Primetime Emmy Award. She has also earned numerous honors such as the Golden Globe Cecil B. DeMille Award in 2013, was inducted into the Hollywood Walk of Fame in 2016 and received the Cannes Film Festival's Honorary Palme d'Or in 2021. Foster began her professional career as a child model and later as a teen idol in various Disney films including Napoleon and Samantha (1972), Freaky Friday (1976) and Candleshoe (1977). She acted in Martin Scorsese's comedy-drama Alice Doesn't Live Here Anymore (1974) and reunited with him in Taxi Driver (1976) in a role for which she received an Academy Award for Best Supporting Actress nomination. Other early films include Tom Sawyer (1973), Bugsy Malone (1976), The Little Girl Who Lives Down the Lane (1976), Carny (1980) and Foxes (1980). After attending Yale University, Foster transitioned into mature leading roles earning two Academy Awards for playing a rape victim in The Accused (1988), and Clarice Starling in The Silence of the Lambs (1991). She also received a nomination for Nell (1994). Her other notable films include Sommersby (1993), Maverick (1994), Contact (1997), Anna and the King (1999), Panic Room (2002), Flightplan (2005), Inside Man (2006), The Brave One (2007), Nim's Island (2008), Carnage (2011), Elysium (2013), Hotel Artemis (2018), and The Mauritanian (2021). Foster made her directorial film debut with Little Man Tate (1991) and has since directed films such as Home for the Holidays (1995), The Beaver (2011) and Money Monster (2016). She founded her own production company, Egg Pictures, in 1992. She earned two Primetime Emmy Awards for producing The Baby Dance (1999), and directing the Orange Is the New Black episode "Lesbian Request Denied" in 2014. She has also directed episodes for Tales from the Darkside, House of Cards, Black Mirror, and Tales from the Loop.
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
