Age: 61
male
Rob Zombie (born Robert Bartleh Cummings; January 12, 1965) is a European-American singer, songwriter, record producer, filmmaker, and actor. He founded the heavy metal band White Zombie and has been nominated eight times for the Grammy Award for Best Metal or Hard Rock Performance. Zombie directed the horror film House of 1000 Corpses in 2000, though the controversial project was not released until 2003, and has since been described as a cult classic. Zombie followed the film with two sequels in his "Firefly" trilogy: The Devil's Rejects (2005) and 3 From Hell (2019). After the success of his first two films he directed Halloween (2007), a remake of the classic 1978 horror film. The film became his highest-grossing to date, though was generally received negatively by critics. He later directed Halloween II (2009), which failed to match the commercial success of its predecessor. Zombie has also directed the films The Haunted World of El Superbeasto (2009), The Lords of Salem (2012), 31 (2016), and The Munsters (2022).
Set in modern day; horror-comedy mockumentary. Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost?
