Age: 54
male
Karl-Heinz Urban (born 7 June 1972) is a New Zealand actor. His career began with appearances in New Zealand films and TV series such as Xena: Warrior Princess. His first Hollywood role was in the 2002 horror film Ghost Ship. Since then, he has starred in many high-profile movies, including as Éomer in the second and third installments of The Lord of the Rings trilogy, Vaako in the second and third installments of Riddick film series, Leonard McCoy in the Star Trek reboot film series, Kirill in The Bourne Supremacy (2004), John "Reaper" Grimm in Doom (2005), Judge Dredd in Dredd (2012), Gavin Magary in Pete's Dragon (2016), and Skurge in Marvel Studios' Thor: Ragnarok (2017). In 2013, he starred in the sci-fi series Almost Human. Since 2019, he has starred as Billy Butcher in Amazon's superhero streaming television series The Boys.
Set in modern day; horror-comedy mockumentary. Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost?
