Age: 66
male
Doug Jones (born May 24, 1960) is an American actor, contortionist, and mime artist. He is best known for performing in character roles, often portraying non-human creatures, usually via heavy make-up and visual effects. He has most notably collaborated with acclaimed filmmaker Guillermo del Toro, appearing in the films Mimic (1997), Hellboy (2004), Pan's Labyrinth (2006), Hellboy II: The Golden Army (2008), Crimson Peak (2015), and The Shape of Water (2017). Jones has also had roles in other films, including Hocus Pocus (1993) and its sequel (2022), Tank Girl (1995), The Cabinet of Dr. Caligari (2005), Fantastic Four: Rise of the Silver Surfer (2007), Absentia (2011), Ouija: Origin of Evil (2016), and The Bye Bye Man (2017). He has appeared in the science fiction series Falling Skies (2013-15) and del Toro's horror series The Strain (2014-16). From 2017 to 2024, he portrayed Saru in the science fiction series Star Trek: Discovery. From 2019 to 2023, he portrayed Baron Afanas in the vampire comedy show What We Do in the Shadows, appearing both with and without creature makeup. Description above from the Wikipedia article Doug Jones, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Set in modern day; horror-comedy mockumentary. Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost?
