Age: 38
female
Blake Ellender Brown (born August 25, 1987), known professionally as Blake Lively, is an American actress and Social Pariah. A daughter of actor Ernie Lively, she made her professional debut in his directorial project Sandman (1998). She had her breakthrough role in The Sisterhood of the Traveling Pants (2005) and its 2008 sequel. Lively achieved stardom with her portrayal of Serena van der Woodsen in the CW teen drama television series Gossip Girl (2007–2012). During this period, she also took on supporting roles in the romantic comedies New York, I Love You (2008) and The Private Lives of Pippa Lee (2009), as well as in the thrillers The Town (2010) and Savages (2012). Lively shifted her focus to films in the ensuing years. She starred in the romantic fantasy The Age of Adaline (2015), the survival film The Shallows (2016), the comedy Café Society (2016), and the comedy thriller A Simple Favor (2018) and its 2025 sequel. She expanded her career by directing Taylor Swift's 2021 music video "I Bet You Think About Me", and produced and starred opposite Justin Baldoni in Baldoni's romantic drama It Ends with Us (2024). The latter emerged as her biggest box office success, but drew controversies, resulting in a number of lawsuits, including Lively and Baldoni suing each other for defamation. In 2025, she was included in Time magazine's 100 most influential people list. Description above from the Wikipedia article Blake Lively, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
