Age: 25
female
Bella Maclean (born 1997 or 1998) is a British actress. On television, she appeared in the fourth season of the Netflix series Sex Education (2023) and the Disney+ series Rivals (2024). She is also known for portraying Martha in the 2021 London revival of Spring Awakening. Maclean was born in New York City to British parents. She spent her early childhood in New York for her parents' work, before they returned to England and settled in East Sussex when she was 10. In 2020, Maclean graduated from the Guildhall School of Music and Drama with a Bachelor of Arts in Acting. Maclean made her professional stage debut as Martha in the 2021 London revival of Spring Awakening at the Almeida Theatre. Her performance was described as "an eye-catching turn as Martha" by theatre critic Fiona Mountford. She returned to the stage in 2024 as Bella Wilfer in the National Theatre's London Tide, a musical adaptation of the Charles Dickens novel Our Mutual Friend. The production was directed by Ian Rickson, adapted by Ben Power, and music by Powers and PJ Harvey. While the play and score received mixed reviews, Maclean's performance was positively reviewed. The official cast recording was released in October. In 2023, Maclean made her television debut in two episodes of the BBC One police procedural Silent Witness. She joined the cast of the Netflix comedy-drama Sex Education for its fourth and final season as Jem. She has also appeared in the short films Dragged Up and La La Means I Love You. In 2024, Maclean had her breakout role in the Disney+ adaptation of Jilly Cooper's Rivals. She portrayed Agatha 'Taggie' O'Hara, the overlooked daughter of Declan (Aidan Turner) and Maud (Victoria Smurfit) who struggles with dyslexia while trying to pursue culinary dreams. The show was met with widespread critical acclaim, while Maclean's scenes with love interest Rupert Campbell-Black (Alex Hassell) were described as "engagingly complex".
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
