Age: 40
female
Dianna Elise Agron (born April 30, 1986) is an American actress and singer. After primarily dancing and starring in small musical theater productions in her youth, Agron made her screen debut in 2006, and in 2007, she played recurring character Debbie Marshall on Heroes and had her first leading role. In 2009, she took the notable role of the antagonistic but sympathetic head cheerleader Quinn Fabray on the Fox musical comedy-drama series Glee. For her role in the series, she won a SAG Award and, as part of the cast, was nominated for the Brit Award for Best International Breakthrough Act, among other accolades. After Glee proved to be a breakthrough success, Agron began working more in film, first starring in the popular young adult adaptation I Am Number Four (2011) as Sarah Hart before taking on films aimed at more diverse audiences, including the 2013 mob-comedy The Family and 2015's Bare. She has also directed several short films and music videos and, in 2017, began performing as a singer at the Café Carlyle in New York City, while continuing to star in films including Novitiate and Hollow in the Land in 2017, Shiva Baby in 2020, and As They Made Us in 2022. She directed part of the 2019 anthology feature film Berlin, I Love You, as well as acting in it. As a singer, Agron is noted for her husky lyric contralto voice.
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
