
Age: 68
female
Michelle Marie Pfeiffer (/ˈfaɪfər/ FY-fər; born April 29, 1958) is an American actress. One of Hollywood's most bankable stars during the 1980s and 1990s, her performances have earned her numerous accolades including a Golden Globe Award and a British Academy Film Award, as well as nominations for three Academy Awards and a Primetime Emmy Award. Pfeiffer began her acting career with minor television and film appearances and secured her first lead role in Grease 2 (1982). Her breakthrough role as Elvira Hancock in Scarface (1983) propelled her into mainstream success, which continued with performances in The Witches of Eastwick (1987) and Tequila Sunrise (1988). Pfeiffer received her first of six consecutive Golden Globe Award nominations for Married to the Mob (1988). Her roles in Dangerous Liaisons (1988) and The Fabulous Baker Boys (1989) garnered her two consecutive Academy Award nominations, for Best Supporting Actress and Best Actress, respectively, and she won a Golden Globe Award for the latter. Cemented as one of the highest-paid actresses of the 1990s, Pfeiffer starred in The Russia House (1990) and Frankie and Johnny (1991). In 1992, she played Catwoman in Batman Returns and received her third Academy Award nomination for Love Field, which she followed up with performances in The Age of Innocence (1993) and Wolf (1994). She also produced several of her own features through her company, Via Rosa Productions, including Dangerous Minds (1995). Reducing her workload to prioritise her family, Pfeiffer acted sporadically throughout the 2000s, starring in What Lies Beneath (2000), White Oleander (2002), Hairspray, and Stardust (both 2007). Following another hiatus, Pfeiffer returned to prominence in 2017 with performances in Where Is Kyra?, Mother!, and Murder on the Orient Express, and received her first Primetime Emmy Award nomination for playing Ruth Madoff in The Wizard of Lies. In 2020, she received her eighth Golden Globe Award nomination for French Exit. Pfeiffer has played Janet van Dyne in the Marvel Cinematic Universe since 2018, beginning with Ant-Man and the Wasp. Description above from the Wikipedia article Michael Douglas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.



