Age: 64
female
Joanna "Joan" Mary Cusack (/ˈkjuːsæk/ KEW-sak; born October 11, 1962) is an American actress. An acclaimed character actress known for her distinctive voice and offbeat comedic timing, her portrayals of neurotic, endearing characters have earned her numerous accolades, including nominations for two Academy Awards and five Primetime Emmy Awards, winning once in 2015. Cusack received nominations for the Academy Award for Best Supporting Actress for her roles in the comedy-drama Working Girl (1988) and the romantic comedy In & Out (1997). Her other starring roles include those in Toys (1992), Addams Family Values (1993), Nine Months (1995), Cradle Will Rock (1999), Where the Heart Is (2000), Looney Tunes: Back in Action (2003), School of Rock (2003), and Kit Kittredge: An American Girl (2008). She has also provided the voice of Jessie in the Toy Story franchise (1999–present), for which she won an Annie Award, and Abby Mallard in Chicken Little (2005). Cusack was a cast member on the comedy sketch show Saturday Night Live from 1985 to 1986. She starred on the Showtime hit drama comedy series Shameless (2011–2015) as Sheila Jackson, a role for which she received five consecutive Primetime Emmy Award nominations, winning for the first time in 2015. She is the sister of actress Ann Cusack and actor John Cusack. Description above from the Wikipedia article Joan Cusack, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
