Age: 46
female
Jordana Brewster (born April 26, 1980) is an American actress. She made her acting debut in an episode of All My Children in 1995. Next, she took on the recurring role of Nikki Munson in As the World Turns, garnering a nomination for Outstanding Teen Performer at the 1997 Soap Opera Digest Award. Her first role in a feature film was in Robert Rodriguez's horror science fiction The Faculty (1998). Brewster's breakthrough came with her role as Mia Toretto in the action film The Fast and the Furious(2001). She reprised the role in its sequels Fast & Furious (2009), Fast Five (2011), Fast & Furious 6 (2013), Furious 7 (2015), F9 (2021), and Fast X (2023). Other film credits include the drama The Invisible Circus (2001), the action comedy D.E.B.S. (2004) and the horror film The Texas Chainsaw Massacre: The Beginning (2006). Brewster starred in the re-booted TNT series Dallas from 2012 to 2014. She also had a five-episode arc as Denise Brown in the first season of the FX true crime anthology series American Crime Story (2016). She also starred as Dr. Maureen Cahill on the Fox buddy cop action dramedy Lethal Weapon (2016–2018). Description above from the Wikipedia article Jordana Brewster, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jordana Brewster
Natalie Heller Mills
for Natalie Heller Mills in Yesteryear
Suggested by kristinachomick
A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
