Age: 37
female
Elizabeth Chase Olsen (born February 16, 1989) is an American actress. She gained worldwide recognition for her portrayal of Wanda Maximoff / The Scarlet Witch in the Marvel Cinematic Universe since 2014, with her performance in the miniseries WandaVision (2021) earning her nominations for a Primetime Emmy Award, a Golden Globe Award, and a Critics’ Choice Television Award. Born in Sherman Oaks, California, Olsen began acting at age four alongside her sisters Mary-Kate and Ashley Olsen. She had her debut film role in the thriller Martha Marcy May Marlene in 2011, for which she received praise. Olsen received a BAFTA Rising Star Award nomination and graduated from New York University two years later. Outside of her work with Marvel, Olsen starred in the monster film Godzilla (2014), the mystery film Wind River (2017), the dramas Ingrid Goes West (2017) and His Three Daughters (2024), the science fiction thriller The Assessment (2025), and the romantic comedy Eternity (2025). She also starred as a widow in the drama series Sorry for Your Loss (2018–2019) and as Candy Montgomery in the miniseries Love & Death (2023), the latter earning her another Golden Globe Award nomination.
Elizabeth Olsen
Natalie Heller Mills
for Natalie Heller Mills in Yesteryear
Suggested by cindylopez
A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
