Age: 40
female
Dianna Elise Agron (born April 30, 1986) is an American actress and singer. After primarily dancing and starring in small musical theater productions in her youth, Agron made her screen debut in 2006, and in 2007, she played recurring character Debbie Marshall on Heroes and had her first leading role. In 2009, she took the notable role of the antagonistic but sympathetic head cheerleader Quinn Fabray on the Fox musical comedy-drama series Glee. For her role in the series, she won a SAG Award and, as part of the cast, was nominated for the Brit Award for Best International Breakthrough Act, among other accolades. After Glee proved to be a breakthrough success, Agron began working more in film, first starring in the popular young adult adaptation I Am Number Four (2011) as Sarah Hart before taking on films aimed at more diverse audiences, including the 2013 mob-comedy The Family and 2015's Bare. She has also directed several short films and music videos and, in 2017, began performing as a singer at the Café Carlyle in New York City, while continuing to star in films including Novitiate and Hollow in the Land in 2017, Shiva Baby in 2020, and As They Made Us in 2022. She directed part of the 2019 anthology feature film Berlin, I Love You, as well as acting in it. As a singer, Agron is noted for her husky lyric contralto voice.
Dianna Agron
Natalie Heller Mills
for Natalie Heller Mills in Yesteryear
Suggested by bellagillis13
A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
