Age: 75
male
James Newton Howard is an American film composer, orchestrator and music producer. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards. His film scores include Pretty Woman (1990), The Prince of Tides (1991), The Fugitive (1993), Space Jam (1996), The Sixth Sense (1999), Dinosaur (2000), Unbreakable (2000), Atlantis: The Lost Empire (2001), Signs (2002), Treasure Planet (2002), Peter Pan (2003), The Village (2004), King Kong (2005), Batman Begins (2005) and its sequel, The Dark Knight (2008) (both composed with Hans Zimmer), Blood Diamond (2006), Michael Clayton (2007), The Hunger Games series (2012–present), the Fantastic Beasts trilogy (2016–2022), and Raya and the Last Dragon (2021). He has collaborated extensively with directors M. Night Shyamalan and Francis Lawrence, having scored eight of Shyamalan's films and eight of Lawrence's films since I Am Legend (2007). He has also worked with other directors such as Peter Jackson, Edward Zwick, Michael Hoffman, P. J. Hogan, Paul Greengrass, Andrew Davis, Lawrence Kasdan, Joe Roth, Martin Campbell, Joe Johnston, Tony Gilroy, Taylor Hackford, Ivan Reitman, Joel Schumacher, and David Yates; conductor Pete Anthony; and violinists Bruce Dukov, and Eun-Mee Ahn.
James Newton Howard
X-Men (2000) Composer
for X-Men (2000) Composer in X-Men: Re-imagined
Suggested by bencasting
My attempt to reorganise X-Men films into a more cohesive timeline. X-Men (2000): Growing fear of mutants. Focus on the X-men’s found-family dynamic across generations. Rogue given more character development. Clash with Magneto & the Brotherhood stopping his increasingly extreme plan. X-Men: Mankind (2003): Wolverine’s past emerges through flashbacks. The cruelty of William Stryker’s Weapon X program forces the X-Men and Magneto into a reluctant alliance, while Jean Grey’s powers are pushed to the limit saving the team. X-Men: Phoenix Rising (2007): Jean, believed dead, returns with the Phoenix Force, amplifying her anger at humans, Charles & Magneto. She causes destruction, struggles morally, and ultimately chooses to take control of the power, manifesting as the Phoenix in the sky and removing herself from the world. Sentinel program quietly advances. X-Men: First Class (2010): Nathaniel Essex as architect pulling strings from the shadows. More time with Erik hunting Nazis. More comic-accurate Emma Frost; Darwin survives; Havok swapped to fix continuity. X-Men: Days of Future Past (2013): Mostly the same but with enough focus and better lines for characters to give them time to shine. X-Men: Bloodlines (2023): Set against the fall of the iron curtain – Mr. Sinister is abducting unregistered mutants across Europe. Setting traps for the x-men, to divide and capture Scott & Jean to harness their DNA. Jean’s powers surge during a showdown beneath Berlin, destroying Sinister’s archives, forcing his retreat. X-Men: Apocalypse (2025): Jeans power surge & Sinister’s failure awakens Apocalypse. Seeing his “pawn” could not control the X-Men or Jean’s cosmic power, Apocalypse corrupts 4 Horsemen to reshape the modern world. Guided by future Charles via the astral plane, Jean learns to control her Phoenix energy. The team overcome Apocalypse, entombing him & preventing his conquest.
