
Age: 61
male
Vincent Regan (born May 16, 1965) is a British film and television actor.Regan has over 15 stage roles to his credit, most recently as Achilles in Troilus and Cressida at the Edinburgh International Festival. In association with The Royal Shakespeare Company, the festival presented director Peter Stein's strongly cast and visually striking production. He is famous for Ancient Greece-based films 300, in which he played the Captain, Troy, where he played Eudorus, Achilles' second in command, and Clash of the Titans, in which he played King Cepheus. Regan is also a screenwriter and director, developing projects for his own film company. His script, Come Like Shadows, is an accessible but classic interpretation of Macbeth headlining Sean Bean and Tilda Swinton, will be directed by John Maybury. He also appeared briefly as a sexually confused character in British series The Street. Description above from the Wikipedia article Vincent Regan, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Vincent Regan

King Cardimir
for King Cardimir in The Starving Saints
Suggested by teaoradventure

Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.


