Died at 81
male
Bernard Hill (17 December 1944 – 5 May 2024) was an English actor. He was known as a character actor of film, stage and television, having acted in nearly 130 projects. He is best known to British television viewers for playing Yosser Hughes in the groundbreaking 1982 TV series Boys from the Blackstuff. On film he has played Captain Edward John Smith in Titanic, King Théoden in The Lord of the Rings film trilogy, and the Warden of San Quentin Prison in the Clint Eastwood film True Crime. Hill is the only actor to have appeared in more than one of the three films awarded 11 Oscars, and one of only three actors to have starred in more than one film grossing more than $1 billion USD, namely: Titanic and The Return of the King (the others being Orlando Bloom who also starred in The Return of the King, as well as Pirates of the Caribbean and Johnny Depp who also starred in Pirates of the Caribbean, as well as Alice in Wonderland). Hill has appeared in three films which have won Best Picture: Gandhi, Titanic, and The Return of the King. Hill died on 5th May 2024 at the age of 79.
Bernard Hill
King Cardimir
for King Cardimir in The Starving Saints
Suggested by kaylinnfonger
Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.
