Age: 34
male
Joseph David Keery, also known professionally as Djo, is an American actor, singer, and musician. He first gained international recognition for playing Steve Harrington in the science fiction series Stranger Things (2016–2025), and has since starred in the comedy horror film Spree (2020), the comedy film Free Guy (2021), and in the fifth season of the crime comedy-drama series Fargo (2023–2024). As a musician, Keery was a founding member of the psychedelic rock band Post Animal. He left the band in 2018 due to acting commitments. In 2019, he released his debut solo album, Twenty Twenty (2019), as Djo. His second album, Decide (2022), spawned the sleeper hit and his first Billboard Hot 100 entry, "End of Beginning", after it became viral on TikTok in 2024. Djo's third album, The Crux, was released in 2025. He rejoined Post Animal that same year and headlined the Back on You World Tour as Djo with Post Animal as openers. Description above from the Wikipedia article Joe Keery, licensed under CC-BY-SA, full list of contributors on Wikipedia.
She’s rewriting his love story. But can she rewrite her own? Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies―good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates―The Charlie Yates! Her personal writing god!―it’s a break too big to pass up. Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone―much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script―it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme. But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter―even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules―and comes true?
