Age: 40
male
Robert Douglas Thomas Pattinson (born May 13, 1986) is an English actor. Noted for his versatile roles in both big-budget and independent films, Pattinson has been ranked among the world's highest-paid actors. After starting to act in a London theatre club at age 15, Pattinson began his film career by playing Cedric Diggory in the fantasy film Harry Potter and the Goblet of Fire (2005). He gained worldwide recognition for portraying Edward Cullen in The Twilight Saga film series (2008–2012), which grossed over $3.3 billion worldwide. After starring in the romantic dramas Remember Me (2010) and Water for Elephants (2011), Pattinson received critical acclaim for his performances in independent films from auteur directors. He starred in David Cronenberg's thriller Cosmopolis (2012), David Michôd's dystopian western The Rover (2014), James Gray's adventure drama The Lost City of Z (2016), the Safdie Brothers' crime drama Good Time (2017), Claire Denis' science-fiction drama High Life (2018), and Robert Eggers' psychological horror film The Lighthouse (2019). He returned to mainstream films with a leading role in Christopher Nolan's spy film Tenet (2020), and starred as the DC Comics superhero Batman in Matt Reeves' film The Batman (2022).
Robert Pattinson
Charlie Yates
for Charlie Yates in The Rom-Commers
Suggested by thecookieprincess
She’s rewriting his love story. But can she rewrite her own? Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies―good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates―The Charlie Yates! Her personal writing god!―it’s a break too big to pass up. Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone―much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script―it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme. But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter―even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules―and comes true?
