Age: 58
female
Patricia T. Arquette (born April 8, 1968) is an American actress. She made her feature film debut as Kristen Parker in A Nightmare on Elm Street 3: Dream Warriors (1987). Her other notable films include True Romance (1993), Ed Wood (1994), Flirting with Disaster (1996), Lost Highway (1997), The Hi-Lo Country (1998), Bringing Out the Dead (1999), Stigmata (1999), Holes (2003), Fast Food Nation (2006), The Wannabe (2015), and Toy Story 4 (2019). For playing a divorced mother in the coming-of-age drama film Boyhood (2014), which was filmed from 2002 until 2014, Arquette received widespread critical praise and won several awards, including the Academy Award for Best Supporting Actress. On television, she played the character Allison DuBois—based on the author and medium Allison DuBois, who claims to have psychic abilities—in the supernatural drama series Medium (2005–2011). She won the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series in 2005, from two nominations she received for the role, in addition to three Golden Globe Award and Screen Actors Guild Award nominations. Arquette also appeared in the CSI franchise as Avery Ryan, the Deputy Director of the FBI, starring in CSI: Cyber (2015–16). She went on to star as Joyce Mitchell in the Showtime miniseries Escape at Dannemora (2018), winning a Golden Globe Award for Best Actress and a Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie, and as Dee Dee Blanchard in the Hulu anthology series The Act (2019), winning the Golden Globe Award and Primetime Emmy Award for Outstanding Supporting Actress.
A searing and strikingly intimate debut set in the wake of the 2008 financial crisis, about a newly married lesbian couple who move into a flipped foreclosure, unaware that the former homeowners are still living in the attic. Months after the housing bubble bursts, newlywed Chicagoans Emma and Rachel move into a charming little house in a conservative Indiana college town, hoping for a fresh start after a painful miscarriage. As Rachel immerses herself in her new role as a tenure-track professor and bestselling novelist, adjunct Emma struggles in the shadow of her wife’s success. Desperate to build something of her own, Emma secretly pursues IVF, even as Rachel insists they wait to have children. The house, initially a symbol of new beginnings, becomes a refuge for Emma from the town she’s convinced is set against her—until strange occurrences make her question whether she and her wife are truly alone. They aren’t. Charlotte and Dirk, the former homeowners, are secretly living in the attic above Emma and Rachel’s attached garage. Dispossessed by the recession and anxious about her husband’s declining health, Charlotte listens to the interlopers below, and her resentment steadily grows. What starts as small acts of defiance—missing food, flipped breakers in the fuse box, subtle scratches in the furniture—soon becomes sabotage. But when her campaign to drive out the couple goes too far, Charlotte’s and Emma’s stories converge in an explosive climax that will reveal the lengths people will go to reclaim what they’ve lost.
