
Age: 63
female
Joanna "Joan" Mary Cusack (/ˈkjuːsæk/ KEW-sak; born October 11, 1962) is an American actress. An acclaimed character actress known for her distinctive voice and offbeat comedic timing, her portrayals of neurotic, endearing characters have earned her numerous accolades, including nominations for two Academy Awards and five Primetime Emmy Awards, winning once in 2015. Cusack received nominations for the Academy Award for Best Supporting Actress for her roles in the comedy-drama Working Girl (1988) and the romantic comedy In & Out (1997). Her other starring roles include those in Toys (1992), Addams Family Values (1993), Nine Months (1995), Cradle Will Rock (1999), Where the Heart Is (2000), Looney Tunes: Back in Action (2003), School of Rock (2003), and Kit Kittredge: An American Girl (2008). She has also provided the voice of Jessie in the Toy Story franchise (1999–present), for which she won an Annie Award, and Abby Mallard in Chicken Little (2005). Cusack was a cast member on the comedy sketch show Saturday Night Live from 1985 to 1986. She starred on the Showtime hit drama comedy series Shameless (2011–2015) as Sheila Jackson, a role for which she received five consecutive Primetime Emmy Award nominations, winning for the first time in 2015. She is the sister of actress Ann Cusack and actor John Cusack. Description above from the Wikipedia article Joan Cusack, licensed under CC-BY-SA, full list of contributors on Wikipedia.

A searing and strikingly intimate debut set in the wake of the 2008 financial crisis, about a newly married lesbian couple who move into a flipped foreclosure, unaware that the former homeowners are still living in the attic. Months after the housing bubble bursts, newlywed Chicagoans Emma and Rachel move into a charming little house in a conservative Indiana college town, hoping for a fresh start after a painful miscarriage. As Rachel immerses herself in her new role as a tenure-track professor and bestselling novelist, adjunct Emma struggles in the shadow of her wife’s success. Desperate to build something of her own, Emma secretly pursues IVF, even as Rachel insists they wait to have children. The house, initially a symbol of new beginnings, becomes a refuge for Emma from the town she’s convinced is set against her—until strange occurrences make her question whether she and her wife are truly alone. They aren’t. Charlotte and Dirk, the former homeowners, are secretly living in the attic above Emma and Rachel’s attached garage. Dispossessed by the recession and anxious about her husband’s declining health, Charlotte listens to the interlopers below, and her resentment steadily grows. What starts as small acts of defiance—missing food, flipped breakers in the fuse box, subtle scratches in the furniture—soon becomes sabotage. But when her campaign to drive out the couple goes too far, Charlotte’s and Emma’s stories converge in an explosive climax that will reveal the lengths people will go to reclaim what they’ve lost.

