Age: 61
female
Sarah Lancashire is an English actress whose career began in 1986. Lancashire's first acting roles were in local theatre, with small guest roles in television dramas and sitcoms. After coming to public attention with roles in popular programmes including Coronation Street (1991-1996, 2000), Where the Heart Is (1997–1999) and Clocking Off (2000), Lancashire signed a two-year golden handcuffs contract with the ITV network, appearing exclusively in ITV1 programming for the next two years. Lancashire has continued to work extensively across a variety of television drama genres, including guest appearances, regular roles in returning series and with featured roles in standalone miniseries' and television films. Her more prolific work includes the drama series' Lark Rise to Candleford (2008-2011), Last Tango in Halifax (2012-2020) and Happy Valley (2014, 2016, 2023). Lancashire has appeared in the feature films And When Did You Last See Your Father? and Dad's Army and has returned to West End Theatre several times since her 1990 stint in Blood Brothers. Her combined acting credits have earned Lancashire a number of awards and nominations over a career spanning four decades and a prominent status within the British Television Industry of the 21st century. Lancashire was appointed Officer of the Order of the British Empire (OBE) in the 2017 Birthday Honours for services to drama.
Sasha has had it. She cannot bring herself to respond to another inane, “urgent” (but obviously not at all urgent) email or participate in the corporate employee joyfulness program. She hasn’t seen her friends in months. Sex? Seems like a lot of effort. Even cooking dinner takes far too much planning. Sasha has hit a wall. Armed with good intentions to drink kale smoothies, try yoga, and find peace, she heads to the seaside resort she loved as a child. But it’s the off season, the hotel is in a dilapidated shambles, and she has to share the beach with the only other a grumpy guy named Finn, who seems as stressed as Sasha. How can she commune with nature when he’s sitting on her favorite rock, watching her? Nor can they agree on how best to alleviate their burnout ( manifesting, wild swimming; drinking whisky, getting pizza delivered to the beach). When curious messages, seemingly addressed to Sasha and Finn, begin to appear on the beach, the two are forced to talk—about everything. How did they get so burned out? Can either of them remember something they used to love? (Answer: surfing!) And the question they try and fail to ignore: what does the energy between them—flaring even in the face of their bone-deep exhaustion—signify?
