Age: 52
female
Sarah Caroline Sinclair CBE (born January 30, 1974), known professionally as Olivia Colman, is an English actress. Known for her comedic and dramatic roles in film and television, she has received various accolades, including an Academy Award, a British Academy Film Award, two Emmy Awards, three British Academy Television Awards and three Golden Globe Awards. She was acclaimed for her performance in the ITV crime-drama series Broadchurch (2013–2017), for which she received a British Academy Television Award for Best Actress. She played Queen Elizabeth II from 2019 to 2020 in the Netflix period-drama series The Crown, for which she received a Golden Globe Award and a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series. For her portrayal of Anne, Queen of Great Britain in the period black-comedy film The Favourite (2018), Colman received the Academy Award for Best Actress. She received additional Academy Award nominations for her performances in The Father (2020) and The Lost Daughter (2021). Other notable film and television credits include Hot Fuzz (2007), Tyrannosaur (2011), The Iron Lady (2011), Hyde Park on Hudson (2012), Locke (2013), The Lobster (2015), Fleabag (2016-2019), Murder on the Orient Express (2017), The Mitchells vs. the Machines (2021), Landscapers (2021), Empire of Light (2022), Puss in Boots: The Last Wish (2022), Secret Invasion (2023), Wonka (2023), Wicked Little Letters (2023) and Paddington in Peru (2024).
Sasha has had it. She cannot bring herself to respond to another inane, “urgent” (but obviously not at all urgent) email or participate in the corporate employee joyfulness program. She hasn’t seen her friends in months. Sex? Seems like a lot of effort. Even cooking dinner takes far too much planning. Sasha has hit a wall. Armed with good intentions to drink kale smoothies, try yoga, and find peace, she heads to the seaside resort she loved as a child. But it’s the off season, the hotel is in a dilapidated shambles, and she has to share the beach with the only other a grumpy guy named Finn, who seems as stressed as Sasha. How can she commune with nature when he’s sitting on her favorite rock, watching her? Nor can they agree on how best to alleviate their burnout ( manifesting, wild swimming; drinking whisky, getting pizza delivered to the beach). When curious messages, seemingly addressed to Sasha and Finn, begin to appear on the beach, the two are forced to talk—about everything. How did they get so burned out? Can either of them remember something they used to love? (Answer: surfing!) And the question they try and fail to ignore: what does the energy between them—flaring even in the face of their bone-deep exhaustion—signify?
