Age: 58
female
Tara Anne Cassandra Fitzgerald (born 18 September 1967) is an English actress who has appeared in feature films, television, radio and the stage. Fitzgerald won the New York Drama Desk Award for Outstanding Featured Actress in a Play in 1995 as Ophelia opposite Ralph Fiennes in Hamlet. She won the Best Actress Award at The Reims International Television Festival in 1999 for her role of Lady Dona St. Columb in Frenchman's Creek. Fitzgerald’s most recent role has been in the West End production of The Misanthrope at the Comedy Theatre with Damian Lewis and Keira Knightley, and in Henrik Ibsen’s A Doll's House at the Donmar Warehouse. Since 2007, Fitzgerald has appeared in more than 30 episodes of the BBC television series Waking The Dead. Description above from the Wikipedia article Tara Fitzgerald, licensed under CC-BY-SA, full list of contributors on Wikipedia
Sasha has had it. She cannot bring herself to respond to another inane, “urgent” (but obviously not at all urgent) email or participate in the corporate employee joyfulness program. She hasn’t seen her friends in months. Sex? Seems like a lot of effort. Even cooking dinner takes far too much planning. Sasha has hit a wall. Armed with good intentions to drink kale smoothies, try yoga, and find peace, she heads to the seaside resort she loved as a child. But it’s the off season, the hotel is in a dilapidated shambles, and she has to share the beach with the only other a grumpy guy named Finn, who seems as stressed as Sasha. How can she commune with nature when he’s sitting on her favorite rock, watching her? Nor can they agree on how best to alleviate their burnout ( manifesting, wild swimming; drinking whisky, getting pizza delivered to the beach). When curious messages, seemingly addressed to Sasha and Finn, begin to appear on the beach, the two are forced to talk—about everything. How did they get so burned out? Can either of them remember something they used to love? (Answer: surfing!) And the question they try and fail to ignore: what does the energy between them—flaring even in the face of their bone-deep exhaustion—signify?
