Age: 91
female
Dame Judith Olivia "Judi" Dench, CH, DBE, FRSA (born 9 December 1934) is an English film, stage and television actress. Dench made her professional debut in 1957 with the Old Vic Company. Over the following few years she played in several of William Shakespeare's plays in such roles as Ophelia in Hamlet, Juliet in Romeo and Juliet and Lady Macbeth in Macbeth. She branched into film work, and won a BAFTA Award as Most Promising Newcomer; however, most of her work during this period was in theatre. Not generally known as a singer, she drew strong reviews for her leading role in the musical Cabaret in 1968. During the next two decades, she established herself as one of the most significant British theatre performers, working for the National Theatre Company and the Royal Shakespeare Company. In television, she achieved success during this period, in the series A Fine Romance from 1981 until 1984 and in 1992 began a continuing role in the television romantic comedy series As Time Goes By. Her film appearances were infrequent until she was cast as M in GoldenEye (1995), a role she played in each James Bond film until Skyfall (2012). She received several notable film awards for her role as Queen Victoria in Mrs. Brown (1997), and has since been acclaimed for her work in such films as Shakespeare in Love (1998), Chocolat (2000), Iris (2001), Mrs Henderson Presents (2005) and Notes on a Scandal (2006), and the television production The Last of the Blonde Bombshells (2001). Regarded by critics as one of the greatest actresses of the post-war period, and frequently named as the leading British actress in polls, Dench has received many award nominations for her acting in theatre, film and television; her awards include ten BAFTAs, seven Laurence Olivier Awards, two Screen Actors Guild Awards, two Golden Globes, an Academy Award, and a Tony Award. She was married to actor Michael Williams from 1971 until his death in 2001. They are the parents of actress Finty Williams.
Sasha has had it. She cannot bring herself to respond to another inane, “urgent” (but obviously not at all urgent) email or participate in the corporate employee joyfulness program. She hasn’t seen her friends in months. Sex? Seems like a lot of effort. Even cooking dinner takes far too much planning. Sasha has hit a wall. Armed with good intentions to drink kale smoothies, try yoga, and find peace, she heads to the seaside resort she loved as a child. But it’s the off season, the hotel is in a dilapidated shambles, and she has to share the beach with the only other a grumpy guy named Finn, who seems as stressed as Sasha. How can she commune with nature when he’s sitting on her favorite rock, watching her? Nor can they agree on how best to alleviate their burnout ( manifesting, wild swimming; drinking whisky, getting pizza delivered to the beach). When curious messages, seemingly addressed to Sasha and Finn, begin to appear on the beach, the two are forced to talk—about everything. How did they get so burned out? Can either of them remember something they used to love? (Answer: surfing!) And the question they try and fail to ignore: what does the energy between them—flaring even in the face of their bone-deep exhaustion—signify?
