Age: 38
female
Karen Sheila Gillan (/ˈɡɪlən/; born 28 November 1987) is a Scottish actress and filmmaker. She gained recognition for her work in British film and television, particularly for playing Amy Pond, a primary companion to the Eleventh Doctor in the science fiction series Doctor Who (2010–2013). Her early film roles include the thriller Outcast (2010) and the romantic comedy Not Another Happy Ending (2013). She also worked on the stage in Britain, appearing in John Osborne's play Inadmissible Evidence (2011). Gillan transitioned to Hollywood, starring in the horror film Oculus (2013) and playing the lead in the ABC sitcom Selfie (2014). She achieved stardom for portraying Nebula in several films of the Marvel Cinematic Universe(2014–2023), which are among the highest-grossing films of all time, and Ruby Roundhouse in the fantasy films Jumanji: Welcome to the Jungle (2017) and Jumanji: The Next Level (2019). She also wrote and directed the drama film The Party's Just Beginning (2018), which she starred in. She has starred in the comedy film Gunpowder Milkshake (2021), the thriller film Dual (2022), the coming-of-age film Late Bloomers (2023), and returned to British television with the series Douglas Is Cancelled (2024). Description above from the Wikipedia article Karen Gillan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Karen Gillan
Hetty Cartwright
for Hetty Cartwright in The Animals at Lockwood Manor
Suggested by meredithh
A debut novel for fans of Sarah Perry and Kate Morton: when a young woman is tasked with safeguarding a natural history collection as it is spirited out of London during World War II, she discovers her new manor home is a place of secrets and terror instead of protection. In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood, and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood. For Lucy, who has spent much of her life cloistered at Lockwood, suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother and nightmares in which Lucy roams Lockwood, hunting for something she has lost. When the animals appear to move of their own accord and exhibits go missing, Hetty and Lucy begin to wonder what exactly it is that they might need protection from. And as the disasters mount, it is not only Hetty’s future employment that is in danger but her own sanity. There’s something, or someone, in the house. Someone stalking her through its darkened corridors . . .
