Age: 35
female
Bonnie Francesca Wright (born 17 February 1991) is an English actress, model, director, and activist. She is best known for her role as Ginny Weasley in the Harry Potter film series. Born in London, Wright made her professional acting debut in Harry Potter and the Philosopher's Stone (2001), portraying the role for ten years until the final film, Harry Potter and the Deathly Hallows – Part 2 (2011). Following the series, Wright appeared in a string of independent films, including Before I Sleep (2013), The Sea (2013), and After the Dark (2014); the films received mixed reviews. She made her stage debut as the lead in Peter Ustinov's The Moment of Truth at the Southwark Playhouse in 2013. Wright graduated from University of the Arts London in 2012 with a bachelor's degree in filmmaking. She subsequently founded her own production company, BonBonLumiere, and began to produce short films. Her first directorial project was the coming-of-age drama Separate We Come, Separate We Go (2012), starring David Thewlis, which was released at the Cannes Film Festival to critical acclaim. She directed Know Thyself (2016), starring Christian Coulson, and Sextant (2016), both of which featured landscape and emotion as themes. Wright's three-part series, Phone Calls, premiered at the Tribeca Film Festival in 2017. She released Medusa's Ankles (2018) starring Kerry Fox and Jason Isaacs, based on A. S. Byatt's The Matisse Stories. She has also directed music videos for artists Sophie Lowe, Pete Yorn, and Scarlett Johansson. Wright has gained recognition for her environmental activism; she is also an ambassador for the charities Greenpeace and Lumos.
Bonnie Wright
Hetty Cartwright
for Hetty Cartwright in The Animals at Lockwood Manor
Suggested by meredithh
A debut novel for fans of Sarah Perry and Kate Morton: when a young woman is tasked with safeguarding a natural history collection as it is spirited out of London during World War II, she discovers her new manor home is a place of secrets and terror instead of protection. In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood, and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood. For Lucy, who has spent much of her life cloistered at Lockwood, suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother and nightmares in which Lucy roams Lockwood, hunting for something she has lost. When the animals appear to move of their own accord and exhibits go missing, Hetty and Lucy begin to wonder what exactly it is that they might need protection from. And as the disasters mount, it is not only Hetty’s future employment that is in danger but her own sanity. There’s something, or someone, in the house. Someone stalking her through its darkened corridors . . .
