Age: 80
male
Timothy Leonard Dalton Leggett (born March 21, 1946) is a British actor. He gained international prominence as the fourth actor to portray fictional secret agent James Bond in the Eon Productions film series, starring in The Living Daylights (1987) and Licence to Kill (1989). Beginning his career on stage, he made his film debut as Philip II of France in the 1968 historical drama The Lion in Winter. He took roles in the period films Wuthering Heights (1970), Cromwell (1970), and Mary, Queen of Scots (1971). Dalton also appeared in the films Flash Gordon (1980), The Rocketeer (1991), Looney Tunes: Back in Action (2003), Hot Fuzz (2007) and The Tourist (2010). On television, Dalton played Mr. Rochester in the BBC serial Jane Eyre (1983), Rhett Butler in the CBS miniseries Scarlett (1994), Rassilon in the BBC One sci-fi series Doctor Who (2009–2010), Sir Malcolm Murray on the Showtime horror drama Penny Dreadful (2014–2016), and the Chief on the DC Universe / HBO Max superhero series Doom Patrol (2019–2021). He portrayed Peter Townsend in the fifth season of The Crown.
A debut novel for fans of Sarah Perry and Kate Morton: when a young woman is tasked with safeguarding a natural history collection as it is spirited out of London during World War II, she discovers her new manor home is a place of secrets and terror instead of protection. In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood, and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood. For Lucy, who has spent much of her life cloistered at Lockwood, suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother and nightmares in which Lucy roams Lockwood, hunting for something she has lost. When the animals appear to move of their own accord and exhibits go missing, Hetty and Lucy begin to wonder what exactly it is that they might need protection from. And as the disasters mount, it is not only Hetty’s future employment that is in danger but her own sanity. There’s something, or someone, in the house. Someone stalking her through its darkened corridors . . .
