Age: 77
male
Jim Broadbent (born May 24, 1949) is an English actor. He won an Academy Award and a Golden Globe Award for his supporting role as John Bayley in the feature film Iris (2001), as well as winning a BAFTA TV Award and a Golden Globe for his leading role as Lord Longford in the television film Longford (2006). Broadbent received four BAFTA Film Award nominations and won for his performance in Moulin Rouge! (2001). He was also nominated for two Primetime Emmy Awards and four Screen Actors Guild Awards. A graduate of the London Academy of Music and Dramatic Art in 1972, Broadbent first came to prominence in the 1980s, chiefly appearing in television comedy including playing Roy Slater in the BBC sitcom Only Fools and Horses. He appeared in the Terry Gilliam films Time Bandits (1981) and Brazil (1985) before a breakthrough role in Mike Leigh's independent comedy drama Life Is Sweet (1990). His notable film roles since include The Borrowers (1997), Bridget Jones's Diary (2001), The Gathering Storm (2002), Hot Fuzz (2007), Another Year (2010), The Iron Lady (2011), Arthur Christmas (2011), Cloud Atlas (2012) and Brooklyn (2015). He played Horace Slughorn in the Harry Potter film series, Archmaester Ebrose in the seventh season of the television series Game of Thrones and Samuel Gruber in the Paddington film series.
A debut novel for fans of Sarah Perry and Kate Morton: when a young woman is tasked with safeguarding a natural history collection as it is spirited out of London during World War II, she discovers her new manor home is a place of secrets and terror instead of protection. In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood, and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood. For Lucy, who has spent much of her life cloistered at Lockwood, suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother and nightmares in which Lucy roams Lockwood, hunting for something she has lost. When the animals appear to move of their own accord and exhibits go missing, Hetty and Lucy begin to wonder what exactly it is that they might need protection from. And as the disasters mount, it is not only Hetty’s future employment that is in danger but her own sanity. There’s something, or someone, in the house. Someone stalking her through its darkened corridors . . .
