Age: 63
female
Demi Gene Moore (née Guynes; November 11, 1962) is an American actress and producer. After rising to prominence in the early 1980s, Moore became the world's highest-paid actress by 1995. Her accolades include a Golden Globe Award and a Screen Actors Guild Award, and nominations for an Academy Award, a British Academy Film Award, and an Emmy Award. Moore began her career as a model and joined the cast of the soap opera General Hospital in 1981. After departing the show in 1983, she rose to prominence as a member of the Brat Pack, with roles in the films Blame It on Rio (1984), St. Elmo's Fire (1985), and About Last Night... (1986). She emerged a star with her portrayal of a grieving girlfriend in the romance film Ghost (1990), had further box office success in A Few Good Men (1992), Indecent Proposal (1993), and Disclosure (1994), and received a then-unprecedented $12.5 million to star in Striptease (1996). Her output decreased significantly after The Scarlet Letter (1995), The Juror (1996), and G.I. Jane (1997) fell below commercial expectations. Moore has since held sporadic leading roles in arthouse films; supporting roles in Charlie's Angels: Full Throttle (2003), Bobby (2006), Mr. Brooks (2007), and Margin Call (2011); as well as television credits in If These Walls Could Talk (1996), Empire (2017–2018), and Feud: Capote vs. The Swans (2024). She received renewed recognition for her performance as an aging celebrity in the body horror film The Substance (2024), which earned her a Golden Globe and a nomination for the Academy Award for Best Actress.
Kyung Cho is a young father burdened by a house he can’t afford. For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future. A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child?
