Age: 62
female
Courteney Bass Cox (born June 15, 1964) is an American actress, director, and producer. She gained recognition for her starring role as Monica Geller on the NBC sitcom Friends, which aired from 1994 to 2004. For her performance in the series, she received seven Screen Actors Guild Award nominations, of which she won one. She received further recognition for starring as Gale Weathers in the horror film franchise Scream (1996–present). She also starred as Lauren Miller in the NBC sitcom Family Ties (1987–1989), Lucy Spiller in the FX drama series Dirt (2007–2008), and as Jules Cobb in the ABC/TBS sitcom Cougar Town (2009–2015), the lattermost of which earned her nominations at the Golden Globe Awards and the Critics' Choice Awards. Cox's other films include the action fantasy Masters of the Universe (1987), the comedy Ace Ventura: Pet Detective (1994), the animated comedy Barnyard (2006), the fantasy comedy Bedtime Stories (2008), and the independent drama Mothers and Daughters (2016). She owns the production company Coquette Productions, which was created by Cox and her then-husband David Arquette. She also worked as a director on her sitcom Cougar Town, the television drama film TalhotBlond (2012), and the black comedy drama film Just Before I Go (2014).
Kyung Cho is a young father burdened by a house he can’t afford. For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future. A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child?
