Age: 45
female
Lucy Gaskell (born 10 July 1980) is a British actress. She studied at the Royal Welsh College of Music & Drama in 1998. Gaskell made her professional stage debut in the Oxford Stage Company's production of The Cherry Orchard which toured the UK in June/July 2003. Gaskell was nominated for the Best Newcomer 2003 award by the Royal Television Society for her role in Cutting It. Gaskell is known for the roles of Ruby Ferris in the BBC One drama series Cutting It and Kirsty Clements in Casualty. She has also appeared in television and in theatre in numerous roles including Waking the Dead, Holby City, and Where the Heart Is. Other roles include Kathy Costello Nightingale in the 2007 Doctor Who episode "Blink" and Judy in Lesbian Vampire Killers. In 2010 she began a recurring role in the BBC horror drama Being Human as Sam, the love interest of main character George. From 2010 to 2011, she starred in Casualty, playing nurse Kirsty Clements, starring alongside schoolfriend Georgia Taylor, who plays Dr Ruth Winters. When she joined Casualty, she said in interviews that she was contracted indefinitely, but her pregnancy meant that she left after only one year.
Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life", the novel is set in the fictitious Midlands town of Middlemarch during the period 1830–32. It has a multiple plot with a large cast of characters, and in addition to its distinct though interlocking narratives it pursues a number of underlying themes, including the status of women, the nature of marriage, idealism and self-interest, religion and hypocrisy, political reform, and education. The pace is leisurely, the tone is mildly didactic (with an authorial voice that occasionally bursts through the narrative), and the canvas is very broad.
