
Age: 43
female
Kate Rooney Mara (born February 27, 1983) is an American actress. She is known for her work in television, playing reporter Zoe Barnes in the Netflix political drama House of Cards (2013–2014; 2016), computer analyst Shari Rothenberg in the Fox thriller series 24 (2006), wronged mistress Hayden McClaine in the FX miniseries American Horror Story: Murder House (2011), Patty Bowes in the first season of the FX drag ball culture drama series Pose (2018), and a teacher who begins an illicit relationship with an underage student in the FX miniseries A Teacher (2020). For the latter, she received an Independent Spirit Award nomination for Best New Scripted Series as an executive producer. Mara made her film debut in Random Hearts(1999). She has since appeared in Brokeback Mountain (2005), We Are Marshall (2006), Shooter (2007), Transsiberian (2008), Stone of Destiny (2008), The Open Road (2009), Transcendence (2014), The Martian (2015), Fantastic Four (2015), Morgan (2016), Megan Leavey (2017), My Days of Mercy (2017), and Chappaquiddick (2018). Description above from the Wikipedia article Kate Mara, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life", the novel is set in the fictitious Midlands town of Middlemarch during the period 1830–32. It has a multiple plot with a large cast of characters, and in addition to its distinct though interlocking narratives it pursues a number of underlying themes, including the status of women, the nature of marriage, idealism and self-interest, religion and hypocrisy, political reform, and education. The pace is leisurely, the tone is mildly didactic (with an authorial voice that occasionally bursts through the narrative), and the canvas is very broad.






