Age: 37
female
Emily Jean "Emma" Stone (born November 6, 1988) is an American actress and producer. She has won two Academy Awards, two BAFTA Awards, and two Golden Globe Awards. Her career began at Phoenix's Valley Youth Theatre with The Wind in the Willows (2000) and at fifteen, she moved to Los Angeles, debuting in an unsold television pilot, In Search of the New Partridge Family (2004). Stone gained recognition through teen comedies like Superbad (2007), Zombieland (2009), and Easy A (2010), her first starring role, earning a Golden Globe nomination for the latter. Her roles in Crazy, Stupid, Love (2011) and The Help (2011) highlighted her versatility, while The Amazing Spider-Man (2012) and its 2014 sequel elevated her global profile. Stone earned her first Oscar nomination for Birdman (2014), and won Best Actress for La La Land (2016) and Poor Things (2023); she has also earned nominations for The Favourite (2018) and Bugonia (2025). She starred in Battle of the Sexes (2017), Cruella (2021), and Maniac (2018). In 2020, she co-founded Fruit Tree, producing films Problemista (2023) and I Saw the TV Glow (2024). Stone's collaboration with Yorgos Lanthimos, inspired by her admiration for his films like The Lobster (2015) and Dogtooth (2009), spans The Favourite, Poor Things, and Kinds of Kindness (2024), and Bugonia. This partnership, driven by her trust in his vision, reflects her deliberate shift toward experimental cinema over mainstream Hollywood projects.
Emma Stone
Ashley Aldridge
for Ashley Aldridge in Hayley Aldridge Is Still Here
Suggested by kamsismith
It’s been years since anyone really thought about Hayley Aldridge. A child star turned television royalty, Hayley spent years in Hollywood partying and being plastered across the front page of all the tabloids before quietly disappearing after a whirlwind marriage and divorce and very public breakdown. Once the tabloids wrung every last drop out of the drama, they moved on to the next It Girl. But Hayley is still here. For over a decade, she’s been trapped in a conservatorship and had every aspect of her life controlled by her parents. She goes nowhere, does nothing without their approval, which is rarely granted. Her visits with her kids are monitored, her fan mail is censored, and she’s a prisoner in her own home. She thought things might change once she was well enough to work, but the restrictions got even tighter as she continued to bring money in—the only thing her parents ever really cared about. Hayley is beginning to realize that this nightmare is her actual life. And she’s sick of it. When the hashtag #helphayley starts to emerge on social media, and the public starts thinking critically about what happened to her all those years ago, there’s finally some momentum on her side. With an upcoming court date to review the status of the conservatorship, Hayley might finally have a chance to break free.
