Age: 36
female
Ashley Benson (born December 18, 1989) is an American actress and singer. Her accolades include four Teen Choice Awards, a Young Hollywood Award, as well as three People's Choice Award nominations. Ashley Benson began her career as a competitive dancer at age three, and transitioned to acting in her teens, first gaining recognition for her role as Abigail Deveraux in the soap opera Days of Our Lives (2004–2007). Following her film debut in the 2004 comedy 13 Going on 30, she gained international recognition for starring as Hanna Marin in the Freeform drama thriller series Pretty Little Liars (2010–2017). During this time, she also continued to appear in films such as the crime comedy Spring Breakers (2012), the psychological horror Ratter (2015), the comedy drama Chronically Metropolitan (2016), and the musical drama Her Smell (2018). She has since starred in the films Private Property (2022), Mob Land (2023), and McVeigh (2024), as well as in the Amazon Prime Video psychological thriller miniseries Wilderness (2023). Aside from acting, Benson has ventured into music, first in 2018 with the soundtrack of Her Smell, followed by her collaboration with G-Eazy in his cover of the Radiohead song "Creep" (2020). Description above from the Wikipedia article Ashley Benson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ashley Benson
Ashley Aldridge
for Ashley Aldridge in Hayley Aldridge Is Still Here
Suggested by kamsismith
It’s been years since anyone really thought about Hayley Aldridge. A child star turned television royalty, Hayley spent years in Hollywood partying and being plastered across the front page of all the tabloids before quietly disappearing after a whirlwind marriage and divorce and very public breakdown. Once the tabloids wrung every last drop out of the drama, they moved on to the next It Girl. But Hayley is still here. For over a decade, she’s been trapped in a conservatorship and had every aspect of her life controlled by her parents. She goes nowhere, does nothing without their approval, which is rarely granted. Her visits with her kids are monitored, her fan mail is censored, and she’s a prisoner in her own home. She thought things might change once she was well enough to work, but the restrictions got even tighter as she continued to bring money in—the only thing her parents ever really cared about. Hayley is beginning to realize that this nightmare is her actual life. And she’s sick of it. When the hashtag #helphayley starts to emerge on social media, and the public starts thinking critically about what happened to her all those years ago, there’s finally some momentum on her side. With an upcoming court date to review the status of the conservatorship, Hayley might finally have a chance to break free.
