Age: 52
male
Patrick Joseph Wilson (born July 3, 1973) is an American actor, director, and singer. He began his career in 1995, starring in Broadway musicals. He is a two-time Tony Award nominee for his roles in The Full Monty (2000–2001) and Oklahoma! (2002). He co-starred in the acclaimed HBO miniseries Angels in America (2003), for which he was nominated for both the Golden Globe Award and Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie. Wilson has also appeared in films such as The Phantom of the Opera (2004), Hard Candy (2005), Little Children (2006), Watchmen (2009), Insidious (2010), The A-Team (2010), Insidious: Chapter 2 (2013), and as demonologist Ed Warren in the Conjuring Universe (2013–present). He has earned a reputation as a "scream king" due to his frequent casting in horror films. On television, Wilson starred in the CBS drama series A Gifted Man (2011–2012) and as Lou Solverson in the second season of FX's anthology series Fargo (2015), for which he received a second Golden Globe Award nomination. In the DC Extended Universe, he portrayed Orm Marius / Ocean Master in the superhero film Aquaman (2018) and voiced the U.S. President in Batman v Superman: Dawn of Justice (2016). Description above from the Wikipedia article Patrick Wilson (American actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Patrick Wilson
Allen Scott
for Allen Scott in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
