Age: 56
male
Matthew Lyn Lillard (born January 24, 1970) is an American actor, director, and producer. His early film roles include the black comedy Serial Mom (1994) and the crime thriller Hackers (1995). He achieved a career breakthrough for his portrayal of Stu Macher in the slasher film Scream (1996), which bolstered Lillard into the mainstream as a scream king. Afterwards, he starred in prominent roles in SLC Punk! (1998), She's All That (1999), Thirteen Ghosts (2001), and Without a Paddle (2004). He portrayed Norville "Shaggy" Rogers in the live-action movies Scooby-Doo (2002) and Scooby-Doo 2: Monsters Unleashed (2004), and then later voiced the character in several animated releases, serving as the voice of Shaggy since Casey Kasem retired from the role in 2009. Starting in the 2010s, Lillard was more frequently cast in dramatic roles, in films such as The Descendants (2011), Trouble with the Curve (2012), Match (2014), and Twin Peaks: The Return (2017). He also starred in the NBC series Good Girls (2018–2021). Lillard gained renewed recognition for playing William Afton in the horror film Five Nights at Freddy's (2023); that same year, The Hollywood Reporter praised his return to mainstream popular culture. He has since starred in the fantasy drama film The Life of Chuck (2025). Description above from the Wikipedia article Matthew Lillard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Matthew Lillard
Allen Scott
for Allen Scott in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
