Age: 77
female
Patti Ann LuPone (born April 21, 1949) is an American actress and singer, who is best known for her work in stage musicals. She has won two Grammy Awards, two Tony Awards, and two Olivier Awards. She is also a 2006 American Theater Hall of Fame inductee. On television, LuPone played Lady Bird Johnson in the 1987 TV movie, LBJ: The Early Years, starred in the drama series Life Goes On (1989–1993) and received Emmy Award nominations for the TV movie The Song Spinner (1995) and her guest role in the sitcom Frasier (1998). In the 1990s she had a recurring role as defense attorney Ruth Miller on Law & Order. She also had recurring roles in two Ryan Murphy FX series, the thriller American Horror Story: Coven (2013–2014) and the drama Pose (2019), as well as on Murphy's Hollywood on Netflix. She guest starred in Penny Dreadful (2014–2016) before returning in a lead role. She voices the character Yellow Diamond in the animated series Steven Universe (2013–2019) and its epilogue series Steven Universe Future (2019–2020). She also appeared on The CW comedy Crazy Ex-Girlfriend as Rabbi Shari (2017). LuPone appeared in the Oscar-winning films Witness (1985) and Driving Miss Daisy (1989) and also was featured in State and Main (2000), Parker (2013), and The Comedian (2016). LuPone has a mezzo-soprano vocal range, and she is famous for her strong/high "Broadway" belt singing voice. In a 2008 interview, she maintained that she was "an actor who sings", and thankful she "had a voice"
Patti LuPone
Margaret Grace Ives (Old Age)
for Margaret Grace Ives (Old Age) in Great Big Beautiful Life
Suggested by melaniebarber
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
