
Age: 79
female
Sally Margaret Field (born November 6, 1946) is an American actress. She has received many awards and nominations, including two Academy Awards, three Primetime Emmy Awards, two Golden Globe Awards, a Screen Actors Guild Award, a Cannes Film Festival Award for Best Actress, and nominations for a Tony Award and for two British Academy Film Awards. Field began her career on television, starring in the comedies Gidget (1965–1966), The Flying Nun (1967–1970), and The Girl with Something Extra (1973–1974). In 1967, she was also in the western The Way West. In 1976, she attracted critical acclaim for her performance in the television film Sybil, for which she received the Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or Movie. Her film debut was as an extra in Moon Pilot (1962). Her film career escalated during the 1970s with starring roles in films including Stay Hungry (1976), Smokey and the Bandit (1977), Heroes (1977), The End (1978), and Hooper (1978). During the 1980s she won the Academy Award for Best Actress twice for Norma Rae (1979) and Places in the Heart (1984), and she appeared in Smokey and the Bandit II (1980), Absence of Malice (1981), Kiss Me Goodbye (1982), Murphy's Romance (1985), Steel Magnolias (1989), Soapdish (1991), Mrs. Doubtfire (1993), and Forrest Gump (1994). In the 2000s, Field returned to television with a recurring role on the NBC medical drama ER, for which she won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series in 2001 and the following year made her stage debut with Edward Albee's The Goat, or Who Is Sylvia?. For her portrayal of Nora Walker in the ABC television family drama series Brothers & Sisters (2006-2011), Field won the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series. She starred as Mary Todd Lincoln in Lincoln (2012), for which she was nominated for the Academy Award for Best Supporting Actress, and she portrayed Aunt May in The Amazing Spider-Man (2012) and its 2014 sequel, with the first being her highest-grossing release. In 2015, she portrayed the title character in Hello, My Name Is Doris, for which she was nominated for the Critics' Choice Movie Award for Best Actress in a Comedy. In 2017, she returned to the stage after an absence of 15 years with the revival of Tennessee Williams's The Glass Menagerie, for which was nominated for the Tony Award for Best Actress in a Play. In 2014, she was presented with a star on the Hollywood Walk of Fame and in 2019, she received the Kennedy Center Honor.

Sally Field

Margaret Grace Ives (Old Age)
for Margaret Grace Ives (Old Age) in Great Big Beautiful Life
Suggested by vzzzzzzz

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.





