Age: 74
female
Jean Elizabeth Smart (born September 13, 1951) is an American actress. She has received numerous accolades including five Primetime Emmy Awards, a Golden Globe Award, four Critics' Choice Awards, and two Screen Actors Guild Awards as well as nominations for a Tony Award and a Grammy Award. Smart first gained prominence for her leading role as Charlene Frazier Stillfield on the CBS sitcom Designing Women, in which she starred from 1986 to 1991. She went on to win five Primetime Emmy Awards for her roles as Lana Gardner in the NBC series Frasier (2000–01), Regina Newley in the ABC sitcom Samantha Who? (2007–09), and Deborah Vance in the HBO Max comedy series Hacks (2021–present). She was Emmy-nominated for her roles in The District (2000–04), 24 (2006–07), Harry's Law (2011), Fargo (2015), Watchmen (2019) and Mare of Easttown (2021). She also acted in FX's Legion (2017–2019) and voiced Ann Possible in the Disney Channel animated series Kim Possible (2002–2007). On stage, she made her Broadway debut portraying Marlene Dietrich in the biographical play Piaf (1981). She returned to Broadway in the revival of The Man Who Came to Dinner (2000) for which she was nominated for the Tony Award for Best Actress in a Play. Smart's film credits include The Brady Bunch Movie (1995), Sweet Home Alabama (2002), Garden State (2004), I Heart Huckabees (2004), Youth in Revolt (2009), The Accountant (2016), A Simple Favor (2018), and Babylon (2022). She received an Independent Spirit Award nomination for Guinevere (1999). Description above from the Wikipedia article Jean Smart, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jean Smart
Margaret Grace Ives (Old Age)
for Margaret Grace Ives (Old Age) in Great Big Beautiful Life
Suggested by natsreading
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
