Age: 83
female
Holland Virginia Taylor (born January 14, 1943) is an American actress. She won the 1999 Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series for her role as Judge Roberta Kittleson on ABC's The Practice (1998–2003). For her portrayal of Evelyn Harper on the CBS comedy Two and a Half Men (2003–15), she received a total of four Primetime Emmy Award nominations. Taylor's other notable television credits include starring roles on the sitcoms Bosom Buddies (1980–82), The Powers That Be (1992–93) and The Naked Truth (1995–98). She also appeared as Jill Ollinger on the soap opera All My Children (1981–83), as Peggy Peabody on The L Word (2004–08), and as Ida Silver on Mr. Mercedes (2017–19). In 2020, she received critical praise and her eighth Primetime Emmy Award nomination for portraying Ellen Kincaid in the Netflix miniseries Hollywood. Taylor's feature film credits include Romancing the Stone (1984) and its sequel (1985), Alice (1990), To Die For (1995), One Fine Day (1996), George of the Jungle (1997), The Truman Show (1998), Happy Accidents (2000), Keeping the Faith (2000), Legally Blonde (2001), The Wedding Date (2005), Baby Mama (2008), Gloria Bell (2018), Bill & Ted Face the Music (2020), and The Stand In (2020). Taylor wrote and starred in the one-woman play, Ann, based on the life and work of Ann Richards. For this, she received a nomination for the Tony Award for Best Actress. Description above from the Wikipedia article Holland Taylor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Holland Taylor
Margaret Grace Ives (Old Age)
for Margaret Grace Ives (Old Age) in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
