Age: 55
male
European-American businessman, entrepreneur, actor, voice actor, director, producer, and screenwriter. Brian Stepanek is from Cleveland, Ohio. His career began in Chicago, where he excelled in musical theater, toured with The Second City, and won a Joseph Jefferson Award for his portrayal of Bill Snibson in Me and My Girl. After moving to Los Angeles, he gained wide recognition playing the eccentric janitor Arwin Hawkhauser on Disney Channel's The Suite Life of Zack & Cody. He also produced, co-wrote, and starred in the silent slapstick series Brian O'Brien. Brian appeared as the nefarious and bigoted maitre d, Graham Kindell, opposite Viggo Mortensen and Mahershala Ali in the Oscar-winning film Green Book. His TV credits include Young Sheldon, where he delivered a memorable recurring performance as the irritable Hubert Givens; Nicky, Ricky, Dicky & Dawn (as Tom Harper); and reprising his role from the animated Loud House series as Lynn Loud Sr. for the live-action Paramount Plus series The Really Loud House. Brian has also recurred on Two and a Half Men, Best Foot Forward, and For All Mankind, among others. He has appeared in numerous Michael Bay films and recently returned to his musical theater roots when he appeared as Max Bialystock in the musical The Producers at the Renaissance Theatre in Mansfield, Ohio.
Brian Stepanek
David Ryan Atwood
for David Ryan Atwood in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
