Age: 47
male
Benjamin McKenzie Schenkkan (born September 12, 1978) is an American actor and commentator. He is best known for his starring television roles as Ryan Atwood on the teen drama The O.C. (2003–2007), Ben Sherman on the crime drama Southland (2009–2013), and James Gordon on the crime drama Gotham (2014–2019). After graduating in Economics and International Relations at the University of Virginia, he moved to New York in order to devote his attention to acting. There he received first in off-Broadway productions different roles, before moving to Los Angeles and was hired there for a starring role in the television series The OC, with the fourth season came to an end on 22 February 2007. For his portrayal of Ryan Atwood in the series he won several awards between 2003 and 2007. He made his film debut in the Academy Award-nominated film Junebug (2005), before appearing in films including 88 Minutes (2007), Goodbye World (2013), Some Kind of Beautiful (2014), and Line of Duty (2019). He has been married to actress Morena Baccarin since 2017; they have 2 children. His uncle is actor and Pulitzer Prize winner Robert Schenkkan; his second cousin is actress Sarah Drew.
Ben McKenzie
David Ryan Atwood
for David Ryan Atwood in Great Big Beautiful Life
Suggested by emst1
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
