
Age: 56
male
Matthew Lyn Lillard (born January 24, 1970) is an American actor, director, and producer. His early film roles include the black comedy Serial Mom (1994) and the crime thriller Hackers (1995). He achieved a career breakthrough for his portrayal of Stu Macher in the slasher film Scream (1996), which bolstered Lillard into the mainstream as a scream king. Afterwards, he starred in prominent roles in SLC Punk! (1998), She's All That (1999), Thirteen Ghosts (2001), and Without a Paddle (2004). He portrayed Norville "Shaggy" Rogers in the live-action movies Scooby-Doo (2002) and Scooby-Doo 2: Monsters Unleashed (2004), and then later voiced the character in several animated releases, serving as the voice of Shaggy since Casey Kasem retired from the role in 2009. Starting in the 2010s, Lillard was more frequently cast in dramatic roles, in films such as The Descendants (2011), Trouble with the Curve (2012), Match (2014), and Twin Peaks: The Return (2017). He also starred in the NBC series Good Girls (2018–2021). Lillard gained renewed recognition for playing William Afton in the horror film Five Nights at Freddy's (2023); that same year, The Hollywood Reporter praised his return to mainstream popular culture. He has since starred in the fantasy drama film The Life of Chuck (2025). Description above from the Wikipedia article Matthew Lillard, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Matthew Lillard

Officer Gunn
for Officer Gunn in Daisy, Daisy
Suggested by mephilesthedark

In the remote outback of a small, tight-knit town, whispers spread about a strange sickness unlike anything seen before. Locals claim it begins with a voice: soft, motherly, and hauntingly sweet—singing the old tune “Daisy, Daisy". Those who hear it wander off, entranced, only to return…different. They come back smiling, their faces locked in an unnatural cheerfulness. They talk with a disturbing warmth, as though every word is meant to comfort, yet beneath their cheer lies a violent unpredictability, lashing out without warning. The townsfolk call it “The Daisy Virus,” but no one knows if it’s biological, psychological…or something older and darker. As paranoia spreads, a small group of survivors must uncover the truth: is this an infection born of science gone wrong, or are they being manipulated by something far more sinister that craves to mother and consume them all? Every day the chorus of “Daisy, Daisy” grows louder in the fields, threatening to drown the town in its eerie lullaby.





