Age: 55
male
Ethan Green Hawke (born November 6, 1970) is an American actor, writer and director. He made his feature film debut in 1985 with the science fiction movie Explorers, before making a supporting appearance in the 1989 drama Dead Poets Society which is considered his breakthrough role. He then appeared in such films as White Fang (1991), A Midnight Clear (1992), and Alive (1993) before taking a role in the 1994 Generation X drama Reality Bites, for which he gained critical acclaim. In 1995, he starred in the romantic drama Before Sunrise, and later in its sequel Before Sunset (2004). In 2001, Hawke was cast as a rookie police officer in Training Day, for which he received a Screen Actors Guild and Academy Award nomination in the Best Supporting Actor category. Other films have included the science fiction feature Gattaca (1997), the title role in Michael Almereyda's Hamlet (2000), the action thriller Assault on Precinct 13 (2005), and the crime drama Before the Devil Knows You're Dead (2007). Hawke has appeared in many theater productions including The Seagull, Henry IV, Hurlyburly, The Cherry Orchard, The Winter's Tale and The Coast of Utopia, for which he earned a Tony Award nomination. He made his directorial debut with the 2002 independent feature Chelsea Walls. In November 2007 Hawke directed his first play, Jonathan Marc Sherman's Things We Want. Aside from acting, he has written two novels, The Hottest State (1996) and Ash Wednesday (2002). Between 1998 and 2004, Hawke was married to actress Uma Thurman.
Ethan Hawke
Officer Gunn
for Officer Gunn in Daisy, Daisy
Suggested by bosuthebluehedgehog
In the remote outback of a small, tight-knit town, whispers spread about a strange sickness unlike anything seen before. Locals claim it begins with a voice: soft, motherly, and hauntingly sweet—singing the old tune “Daisy, Daisy". Those who hear it wander off, entranced, only to return…different. They come back smiling, their faces locked in an unnatural cheerfulness. They talk with a disturbing warmth, as though every word is meant to comfort, yet beneath their cheer lies a violent unpredictability, lashing out without warning. The townsfolk call it “The Daisy Virus,” but no one knows if it’s biological, psychological…or something older and darker. As paranoia spreads, a small group of survivors must uncover the truth: is this an infection born of science gone wrong, or are they being manipulated by something far more sinister that craves to mother and consume them all? Every day the chorus of “Daisy, Daisy” grows louder in the fields, threatening to drown the town in its eerie lullaby.
