Age: 47
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Anthony Dwane Mackie (born September 23, 1978) is an American actor. He gained wide recognition for portraying Sam Wilson / Falcon / Captain America in the Marvel Cinematic Universe, beginning with the film Captain America: The Winter Soldier (2014), and headlining the Disney+ miniseries The Falcon and the Winter Soldier (2021) and its continuation film Captain America: Brave New World (2025). Mackie made his film debut in 8 Mile (2002), and earned critical recognition for his roles in Brother to Brother (2004), which garnered him an Independent Spirit Award nomination for Best Actor, and The Hurt Locker (2008), which earned him a nomination for Best Supporting Actor at the AAFCA Awards. He also played Tupac Shakur in Notorious (2009) and Martin Luther King Jr. in the HBO film All the Way (2016). On television, Mackie starred as Takeshi Kovacs in the second season of Netflix's Altered Carbon (2020) and currently leads the Peacock series Twisted Metal (2023–present). In theatre, he has performed in Broadway and Off-Broadway adaptations, including Ma Rainey's Black Bottom, A Soldier's Play, and Carl Hancock Rux's Talk, for which he won an Obie Award in 2002. Description above from the Wikipedia article Anthony Mackie, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Coonskin is a 1975 American adult animated satirical crime film written and directed by Ralph Bakshi. The film references the Uncle Remus folk tales and satirizes the blaxploitation film genre as well as Disney's racially controversial film Song of the South, also adapted from the Uncle Remus folk tales. The film's narrative concerns three anthropomorphic Uncle Remus characters, Br'er Rabbit (referred to as Brother Rabbit), Br'er Fox (referred to as Preacher Fox), and Br'er Bear (referred to as Brother Bear). They rise to the top of the organized crime racket in Harlem, encountering corrupt law enforcement, con artists, and the Mafia, in a satire of both racism within the Hollywood film system, and America itself. Originally produced under the titles Harlem Nights and Coonskin No More... at Paramount Pictures, Coonskin encountered controversy before its original theatrical release when the Congress of Racial Equality accused the film of being racist. When the film was released, Bryanston gave it limited distribution and it initially received mixed reviews. Later re-released under the titles Bustin' Out and Street Fight, Coonskin has since been re-appraised, recontextualizing the film as the condemnation of racism that the director intended, rather than a product of a racist imagination, as its detractors had claimed.
